
Art by Marsha Connell
Artist Marsha Connell watched preparations for the Persian Gulf War from the bottom of a hill. The view that appeared in a dream began a healing process that ultimately brought her peace.
Collages, dark landscapes spiked with light, became her way to communicate. “I felt a distress so profound there were no words for it,” Connell says. She calls the collages “Dream Vessels” because each dreamlike picture contains a vessel — a pot, a vase, a ship.
A month after the Iraqi invasion of Kuwait in August 1990, Connell dreamt that women writers, artists, and poets were brought in to observe the fighting.
A friend suggested the dream meant the artist was to bear witness. Before this dream, Connell felt artists lacked power to elicit change. Then she wondered, “Could I create art about the war, but not beautify the destruction?”
Connell cut up magazines, made two collages and duplicated them on a color copier. When she looked at the copies, she says, “They shocked me. They moved me so much. There was alot of darkness but also hope. They had hope for the world.”
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